9/11

I was watching a replay of that day's events as they were broadcast and was astounded by the sheer chaos of information, from plane numbers to supposed car bombs. It really was the first day of it's kind in our nation's history.

This was my generation's JFK... I was listening to Bob & Tom at work when Christi Lee said something about a plane of some kind hitting a tower. My break started at 9am and I think I finally came back to my machine at 10. It was actually one of the first days I felt like I wasn't safe in forgotten Wisconsin.

9 years later, it's still quite surreal and brings back many of the feelings I had watching it all unfold.

I thank all the men & women braver than I who fight for our freedoms so I don't have to. You are truly American heroes and I thank you. Remember that day.

600

Congratulations to Hoffman

I'm on record not enjoying that signing last year, but it was nice to see the respect the man has earned in 17 years (although you'd never know it watching the 4-letter network, who all but ignored it while it was going on, and spent all of 20 seconds on SportsCenter).

I'm not sure if the double-switch / 9th inning was worked out as a scenario beforehand, but if it was, Macha & Randolph don't get enough credit.

Davidson was fired once by MLB and allegedly worked his way back up through minors. Really? He was the next best choice? Really?
Before night is done, Bob Davidson might eject himself from the game. At least he'd get that one right.- Tom H. on Twitter

I'm not a fan of his coverage by any means, but that was worth a chuckle.

2 coaches, a player, & a fan... who shit in Bob Davidson's oatmeal this morning?

If they spent as much time calling the game correctly as they do all the periphery things, they may actually get some things right.

Sheesh.

While by the letter of the rule, it was a good call, I think the last time that was called, Coolidge was in office.

If only they called everything by the rulebook...

TV Team

Does anyone else get sick of the cliches and general spewing of accolades for the opposing teams from Bill & Brian. I swear if I hear "the hands lead the barrel of the bat" one more time or gushing over a SS making a throw a SS should make...

Is it too much to ask that they at least give a nod to people with more than a middling idea about the game of baseball. What I would give to hear some of the bloggers I read on a broadcast.

First Signal - Harry Hess project

September 14th will see the reintroduction of Harry Hess (ex-Harem Scarem) to the microphone & North America. And let me say, Harry, we've missed you. From the team of top-notch AOR writers (Erik Martensson, Martin Brothers, Richard Marx)to the amazing production of Dennis Ward (Pink Cream 69, Khymera), this release is truly a treat for the ears.
The opening track, "This City" , gets things going with an intro reminiscent of Journey's outstanding "Never Walk Away" from Revelation. The bridge reminds one of "One Love" from JSS's current W.E.T. project. If you can't roll the windows down & cruise 80mph to this track, just get off the road. You're taking up space.
Next up is "When You Believe", complete with Journey-style intro keys from Eric Ragno. Groove, groove, groove. Another large layered chorus and Harry is back in early 90's form.
"Part Of Me" takes the album in an updated direction. This is the first of two Richard Marx-penned tunes. This would not have been out of place on Harem's final album "Hope". Contemporary rocker and quite good after a few listens.
Ballad "Crazy" is decidedly a newer Harem-style change of pace. Some nice piano and the typical Hess-delivered vocal.
"Goodbye To The Good Times" starts with some country-flavored guitar, switches to a funky style a la Jeff Scott Soto, then blasts into the chorus chock full of melody. It almost reminds me of a latter-80's Bad Company tune.
Title song "First Signal" has hints of modern rock until the bridge, when a wonderfully delivered guitar riff plays behind the vocals. Again the chorus is LARGE.
"Feels Like Love This Time" starts with some steel guitar (?). This tune really shows Harry's AOR range. Reminiscent of the melody used in Bon Jovi's "Stick To Your Guns". Once again, huge vocals.
"Into The Night" starts out rather modern rock-ish and holds that energy throuhout. Decent tune, although slightly forgettable.
The second Marx song "When November Falls" is a contemporary tune. Well written and a softer melody than the rest of the disc. This could easily have been recorded by Def Leppard for their X album.
"Yesterday's Rain" brings the riffs back. The chorus is quite Eclipse-ish, which only makes sense with Erik Martensson involved. Great vocals by Harry.
Finishing off the album is "Naked Desire", an old Mark Free demo. Harry plows through this in typical fashion, bringing an end to an outstanding listening experience.
I could sum this up all day long, but I'll leave you with this: If you like driving grooves, huge choruses, and well-written AOR, get this. Now. Don't wait. Go now... What are you still doing sitting there?

Name Change

Henceforth, Sons of Sixto has become Uecker's Front Row. The Lezcano reference was a bit vague, so I wasn't getting the hits from the blogosphere I had hoped (especially on the Brewer end). Please adjust accordingly and, hopefully, I'll start posting a little more regularly.

Thank you for your support